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Jemima
Even The Dog Knows
A wobbly loop of found sound. Almost inaudible speech from an unidentified documentary. Lapping waves of folk guitar created at the edges of the player’s ability. A haunted melodica. Mumbled vocals that reinvent the singer’s uncertainties as a deliciously glum pose. Layer these up in the recording software of your choice. Labour in a back bedroom overlooking the railway line to summon ghosts.
Spirits arrive from West Yorkshire, from Glasgow and Dunedin, from the suburban Midwest. Rising from squats and university accommodation past, from damp rooms filled with old paperbacks, stale hash smoke and abandoned mugs of tea.
Even as you listen to this collection of home recordings, made over the last few years by South London duo Jemima and collated for the store's own in-house label, these ghosts crowd around. Born in the Seventies to chase the tape experiments and gentle strumming of the Sixties they crane their necks and edge closer to the laptop. When something this perfect comes along, even the most tranquillised must stir their stumps.
It’s lonely music created around a wine bottle with a candle in it, made too late to appear via Xpressway or Cordelia. Don’t imagine though, that it has no home in the now. These spectres remain close because they know they are still wanted. We need them as much as they need us.
A1
Seras Mi Vida O Mi Muerte
A2
What Is It
A3
Use And Throw
A4
Where Did The Birds Go When It Rained
A5
Coming Over
A6
Drag
B1
Ten Thirty
B2
Meadow
B3
Maybe One Day
B4
Tail Chase
B5
Wish You Well
B6
I Forgot
B7
When The Red In My Hair Goes I Will Try To Escape The Three Islands With The Golden Mountains





